How Hamlet Changes Throughout the Play

The changes in critical points personality are reflected in his changes in costume. At first, thither is the Hamlet in the nighted colour, in mourning for his father and resentful of his mother and uncle. This is Hamlet in Act one. He is passive and reactive, making snarky remarks under his breath and behind the kings back further being sullen and unresponsive in his presence. After the visit of the Ghost, Hamlet changes.Ophelia describes his costume as his doublet every(prenominal) unbraced, no hat upon his head, his stockings fouled and down-gyved to his ankle. This is Hamlet of the antic disposition. His pretense of insanity gives him the liberty to sharpen his fun on the various spies which come to sound him out. He becomes more active, arranging for and essentially directing the bet The Murder of Gonzago, but he is a perfectionist, and cannot see his way to killing Claudius without the circumstances being honest right. He thinks he has got them right but he is wrongits Pol onius behind the arras and not Claudius. then he is sent to England. He discovers that Claudius is not going to wait for the perfect opportunity, but has already make arrangements to have Hamlet killed. He changes again. He arranges for the deaths of Rosencrantz and Guildenstern, and when the pirates attack, he take a leaks the opportunity to board their ship, and bribes them to return to Denmark. He arrives on the shores naked and . . . alone. Naked here means that he has only the clothes he stands up in, whatever he can find.Hamlet is now an opportunist. He no longer insists that the conditions be perfect. He will take his opportunity where he finds it. He becomes a fatalist There is a extra providence in the fall of a sparrow . . . the readiness is all. It is when he reaches this stage in his travel that he can do what he wants to do and needs to do. He expresses his love for Ophelia (too late) and is able to take his revenge on Claudius (almost too late).